Botticelli adopted a certain conservativeness in his approach to painting. As a matter of fact, he employed the same methods over and over again throughout his career. Still, Botticelli paintings underwent revisions in traditional procedures to give in to new innovations. The employment of a paint with more transparency was evidence of this innovation. This paint, known as tempera grassa, was a combination of egg yolk and oil.
The finest pigments of the period were utilized in innovative Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
It is unfortunate to note that most of the Botticelli paintings have lost the fullness of their beauty over the years. This loss can be attributable to the fact that colors have a tendency to change nature, to become more transparent, as the years passed on. A prime example is copper resinate, which turns from green to brown, in an irreversible chromatic change, an excessive contrast and a loss of luministic gradation.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
The skill with which the artist used chalk, pen, bistre and tempera are showcased in the Botticelli paintings. Botticelli's pioneering use of paper tinted with roses, violets, yellows and grays, led to the establishment of a middle value for figures.
Unique Botticelli paintings come in the form of the Dante illustrations which were executed only in outline. Actually, Botticelli intended to color them but did not find the time to do so. Comprising of 92 parchment sheets, they vary greatly in completion, some were not even begun.
The finest pigments of the period were utilized in innovative Botticelli paintings. They were applied in scumbles, i.e., thin and opaque layers. However, the reds and greens were glazed more often than not. These pigments produced an exquisite, enamelled effect, from its composition of infinite tonal gradations.
It is unfortunate to note that most of the Botticelli paintings have lost the fullness of their beauty over the years. This loss can be attributable to the fact that colors have a tendency to change nature, to become more transparent, as the years passed on. A prime example is copper resinate, which turns from green to brown, in an irreversible chromatic change, an excessive contrast and a loss of luministic gradation.
The most refined among the elements of Botticelli paintings are their flesh tones. They were demonstrations of Botticelli's being a superb draughtsman, as evidenced by the tensile lines characterizing the figures in his paintings.
The skill with which the artist used chalk, pen, bistre and tempera are showcased in the Botticelli paintings. Botticelli's pioneering use of paper tinted with roses, violets, yellows and grays, led to the establishment of a middle value for figures.
Unique Botticelli paintings come in the form of the Dante illustrations which were executed only in outline. Actually, Botticelli intended to color them but did not find the time to do so. Comprising of 92 parchment sheets, they vary greatly in completion, some were not even begun.
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